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Satrapi was strongly marked by her experiences growing up in Iran after the Islamists took power. In fact, she was briefly detained by the Guardians of the Revolution for wearing Nikes and also got into trouble at school for declaring that the teacher lied and that were many more political prisoners under the Islamists than there had been under the Shah.
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Satrapi returned to Iran to attend college and it was there that she met her first husband though they later divorced. She eventually earned a Master's Degree in Visual Communication from the School of Fine Arts in Tehran Azad University. After earning her degree, Satrapi moved to Strasbourg, France. It was after she moved to France though that she began consider producing comics.
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Satrapi began to produce autobiographical comics about her childhood in Iran and her adolescence in Europe in 2000. The title she chose for what became a series of books was Persepolis.
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In this book Satrapi looks at the lives of Iranian women. The book begins with Satrapi arriving for afternoon tea at her grandmother's house. There she spends time with her strong grandmother, her stoic mother, her glamorous and eccentric aunt and all their friends and neighbors. The women spend the afternoon drinking tea and talking, telling stories about their lives and the men in them. As they pass the afternoon sharing their secrets, their regrets, and their frequently outrageous personal stories they reveal private lives that are both fascinating and absolutely not unique to Muslim women. The significance of this book is the profound recognition Satrapi provides the reader that, despite the seeming gulf of religion and culture, these women have lives fundamentally the same as women everywhere.
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This book is set in 1958 Tehran and it is a story about Satrapi's great-uncle, Nasser Ali Khan, a celebrated Iranian musician who played the traditional Tar, a long-necked, waisted lute found in Azerbaijan, Iran, Armenia, Georgia, and other areas within the Caucasus region of central Asia. When his instrument is irreparibly damaged in a fit of rage by his wife, he goes out looking for a replacement Tar that is of comparable quality. Despite his efforts, none of the Tars he finds match the lost instrument. It also turns out that there are no longer any craftsmen able to produce the instrument and never again will there ever be a Tar of the same quality as his lost one. He then has to come to terms with the loss. In his despair he takes to his bed and renounces the world, including the love of his wife and children. As time passes, despite the best efforts of his family, he gradually slips away, apparently dying after only eight days of a broken heart, unable to ever again to play an instrument capable of the power and passion of his beloved Tar. The French edition of this book won the 2005 Angoulême Best Comic Book Award.
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A children's picture book about a little girl who is afraid of the monsters come to her room each night. She figures out that if she cuts moon out of the sky and hangs it in her room, the monsters will stay out because they are afraid of the light. Unfortunately, with the moon no longer in the sky at night the village cats start having a terrible time, bumping into everything and eventually ending up in the hospital. With the cats gone, the mice run wild and things become worse. Furtunately the Cat King comes up with a solution that works for everyone involved and peace is restored.
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Satrapi's titles that have been published in France but not yet released in English editions include Sagesses et malices de la Perse (Persian Wisdom and Mischief, 2001) with Lila Ibrahim-Ouali and Bahman Namwar-Motlag, Ajdar (2002), Ulysse au pays des fous (Ulysses in the Land of the Madmen, 2001) with Jean-Pierre Duffour, Les Premiers Jours (The First Days, 2002) with Eglal Errera, and Le mythe de Ah le soupir (The Legend of Ah, the Sigh, 2004).
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The immediate success of the 'Persepolis' books brought Satrapi a lot of attention and when the final, fourth book was published, several offers were presented to her to adapt the story to film. Most of them apparently had an over-the-top Hollywood quality that Satrapi immediately recognized were inappropriate for the story. It was when she began discussing a potential film project with Vincent Paronnaud.
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Marjane Satrapi, memories of growing up in Islamist Iran by Steven Williams is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
Permissions beyond the scope of this license may be available by contacting Steven Williams through Bookmarc's BookmarcsOnline.