The Adventures of Tintin

The Adventures of Tintin in Film

Here is a brief filmography of live-action and animated film adaptations of The Adventures of Tintin:

The Crab with the Golden Claws (1947) - animated, based on the book.
Tintin and the Golden Fleece (1961) - live action, developed from an original script.
Tintin and the Blue Oranges (1964) - live action, developed from an original script.
Tintin and the Temple of the Sun (1969) - animated, based on the book.
Tintin et la SGM (1970), animated promotional short film by Belvision (10',[39]).
Tintin and the Lake of Sharks (1972) - based on an original script and subsequently adapted into comic book form.

The Tintin Movie
Tintin, scheduled for a December 23rd, 2011 release, is a motion capture 3-D film based The Adventures of Tintin, a series of comic books created by Belgian artist Georges "Hergé" Remi. It will be directed by Steven Spielberg, and the script by Steven Moffat is based on two directly-linked stories published in the 1940s, The Secret of the Unicorn and Red Rackham's Treasure, the latter of which introduced Professor Calculus. Andy Serkis is playing Captain Haddock.

Spielberg first acquired rights to Tintin after Hergé's death in 1983, and re-optioned them in 2002. Filming was due to begin in October 2008, but was delayed after Universal opted out of producing the film with Paramount, who provided $30 million on pre-production. The delay resulted in Thomas Sangster, who had been cast as Tintin, departing from the project. Producer Peter Jackson, whose company Weta Digital is providing the animation, intends to direct a sequel. Spielberg and Jackson also hope to co-direct a third film.

Spielberg has been an avid fan of The Adventures of Tintin comic books, which he discovered in 1981 when a review compared Raiders of the Lost Ark to Tintin. His secretary bought him French-language editions of each book, but Spielberg did not have to understand them: he immediately fell in love with its art. Meanwhile, the comics' creator Hergé, who hated the previous live action film versions and the cartoon, became a fan of Spielberg. Michael Farr, author of Tintin: The Complete Companion, recalled Hergé "thought Spielberg was the only person who could ever do Tintin justice". Spielberg and his production partner Kathleen Kennedy of Amblin Entertainment were scheduled to meet with Hergé in 1983 while filming Indiana Jones and the Temple of Doom in London. Hergé died that week, but his widow decided to give them the rights. A three-year long option to film the comics was finalized in 1984, with Universal as distributor.

Spielberg commissioned E.T. the Extra-Terrestrial (1982) writer Melissa Mathison to script a film where Tintin battles ivory hunters in Africa. Unsatisfied, Spielberg continued with production on Indiana Jones and the Last Crusade (1989). The rights returned to the Hergé Foundation. Claude Berri and Roman Polanski became interested in filming the property, while Warner Brothers. negotiated long and hard for the rights, but they could not guarantee the "creative integrity" that the Hergé Foundation found in Spielberg. In 2001, Spielberg revealed his interest in depicting Tintin with computer animation. In November 2002, his studio DreamWorks reestablished the option to film the series. Spielberg said he would just produce the film. In 2004, the French magazine Capital reported Spielberg was intending a trilogy based on: Secret of the Unicorn (Le Secret de la Licorne) and Red Rackham's Treasure, (Le Trésor de Rackham le Rouge) The Seven Crystal Balls (Les Sept boules de cristal) and Prisoners of the Sun (Le Temple du Soleil), The Blue Lotus (Le Lotus bleu) and Tintin in Tibet(Tintin au Tibet) (the last two are not a single story, but both feature the Chang Chong-Chen character).

Meanwhile, Peter Jackson, who had long been fascinated with 3-D filmmaking, was impressed by recent advances in the format. Spielberg and Jackson agreed that a live action adaptation would not do justice to the comic books and motion capture was the best way of representing Hergé's world of Tintin. A week of filming took place in November 2007 in Playa Vista, Los Angeles, California, on the stage where James Cameron shot Avatar. Serkis had been cast, while Jackson stood in for Tintin. Cameron was present during the shoot. The footage was transmitted to Weta Digital, who produced a twenty-minute test reel that demonstrated a photorealistic depiction of the characters.

An official announcement about the collaboration was made in May 2007, although both filmmakers had to wait to film it: Spielberg was preparing Indiana Jones and the Kingdom of the Crystal Skull (which was due for May 2008) and Jackson was planning The Lovely Bones (October 2009). In October 2007, Steven Moffat was announced as having signed on to write the screenplays for two of the Tintin films. Moffat said he was "love bombed" by Spielberg into accepting the offer to write the films, with the director promising to shield him from studio interference with his writing. Moffat finished the first script, but could not complete the second because of the 2007–2008 Writers Guild of America strike. He then became executive producer of Doctor Who, leading Spielberg and Jackson (the latter of whom is a fan of the show) to allow him to leave and fulfil his duty to the series.

More filming took place in March 2008. It will take thirty days to shoot each film; Spielberg will film his in Los Angeles while Jackson will film his in New Zealand. An internet connection between Weta in New Zealand will allow Spielberg to view the animated version of his film while shooting in Los Angeles. But in August 2008, a month before principal photography would have begun, Universal turned down their option to co-produce the film, citing the low box office of Monster House and Beowulf as well as the directors' usual request for 30% of the gross. Paramount Pictures (DreamWorks' distributor) had hoped to partner with Universal on the project having spent $30 million on pre-production. Spielberg was embarrassed that Paramount would have to fully finance the film, because he was leaving the studio. He gave a ten-minute presentation of footage, hoping they would approve for filming to begin in October. Paramount offered to produce if the directors opted out of their gross percentage deals: Spielberg and Jackson declined and looked for new options. By October 31, 2008 Sony was in negotiations to co-finance and distribute the first film.

This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia articles The Adventures of Tintin: Secret of the Unicorn and The Adventures of Tintin.

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The Tintin Movie

The Tintin Movie Geared for Sucess with Jackson and Spielberg On Board
by Holly Franklin

Tintin is finally being made into a movie. Tintin is being turned into movie by the dream pairing of Steven Spielberg and Peter Jackson. Spielberg and Jackson will actually be making three Tintin movies back to back as Jackson accomplished with the Lord of the Rings Trilogy.

The films will be shot back to back for logistical and financial expediency; they will come rattling off the production line in 2009. Spielberg has been a Tintin fan since he was a small boy and the upcoming filming brings an end to a 25 year mission to get a film made. Spielberg was first approached back in 1982 by Georges Remi (who initials GR were reversed to form the pen name Hergé). Remi sent out emissaries and it resulted in a three year option for Spielberg's Amblin Entertainment in 1984. It was reported that after the success of ET Spielberg hired Melissa Mathison who helped write ET and was then Harrison Ford 's wife to compose an African adventure in which Tintin overcame ivory hunters in a classic Tintin yarn.

This would be a role reversal for Tintin who had in a previous tale cheerfully blown up a rhinoceros with a stick of dynamite. It could never quite come to fruition. One of the main reasons for this was due to the fact that Spielberg never believed he had the technology to pull off his vision satisfactorily. It was also at the same time Spielberg turned to his attention to his next undertaking that of Indiana Jones and the Last Crusade. Rumour has it that some of the story lines for The Last Crusade were taken form the Tintin movie penned by Mathison.

Spielberg has also hinted that Indiana Jones chronicles were very much influenced by Tintin's boy-scout ethos. It has been noticed that the whole idea of creating a Tintin movie has resurfaced at the same time Spielberg has been absorbed in the fourth installment of Indiana Jones.

During those years when Amblin Entertainment had the option for the Tintin movie there were rumours about who would play Tintin. First there was obviously Henry Thomas who had starred in ET. Next there was a young Leonardo DiCaprio and then unbelievably Christopher Lambert and Jean-Claude Van Damme. As for the role of Captain Haddock the names of Jack Nicholson, Dustin Hoffman and Richard Gere were mooted. Then for the role of Bianca Castafiore the opera diva and the only major role for a female was linked to Courtney Love. It is now known that Spielberg and his people never truly got close to making the movie back then.

Although there was a lot of rumour and speculation the only truth is that Spielberg's interest did wane and other directors came into the equation to make the film. Claude Berri (who had produced a successful live action version of Asterix) was rumoured to be interested as was Roman Polanski. Then Warner Brothers entered the chase. The Hergé Foundation declined Warner Brothers' offer because Warner Brothers guarantees regarding creative integrity failed to convince the Foundationy. When Warner Brothers left the scene the project was back at square one.

Spielberg and Jackson then got together and went into discussions with Moulinsart who in the intervening time took over the rights to Tintin. Eventually a deal was struck after long discussions. Spielberg and Jackson are both set to direct one film each with the third to be decided at a later date.

Jackson's special effects team Weta Digital have been working on using 3-D animation to bring the junior reporter and his trusty dog Snowy to life. Jackson Weta effects house back in New Zealand took more than a year to knock-up a 20 minute demo that wowed backers. Jackson said "We are making the character look photorealistic; the fibres of their clothing, the pores of their skin and each individual hair. It is possible that the work, certainly the first one will start next year".

This will be when Spielberg finishes Indiana Jones 4 and Jackson his adaptation of Alice Sebold's The Lovely Bones. Jackson 's input with the effects made possible by Weta has invigorated Spielberg who is a lifelong Tintin fan. Spielberg said "We want Tintin 's adventures to have the reality of a live-action film, and yet Peter and I felt that shooting them in a traditional live-action format would simply not honour the distinctive look of the characters and the world Hergé created."

The deal allows them to use a back catalogue of 23 albums Hergé published between 1929 and 1976. Speculation is now rife as to which album will be turned into a film first. Although we would like to speculate that it is unlikely that the film we be made from an album before 1940 because that would mean Captain Haddock would not be involved.

Captain Haddock is going to be very popular search topic as the Tintin movie draws near.

About the Author
Holly Franklin has been a big Tintin fan for a number of years. She is very much looking forward to the new Tintin movie trilogy due for release in 2009.
(See the Bookmarc's BookmarecsOnline BookBlog article The Adventures of Tintin in Film regarding updated film release dates.)

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Older Article: Important Books in the History of Calligraphy

Calligraphy Books

Important Books in the History of Calligraphy
edited and with additional material by Steven Williams

Before the beginning of the 20th Century little had been written about calligraphy except The Story of the Alphabet (1900) by Edward Clodd (1840-1930) and Sir Edward Maunde Thompson's (1840-1929) fine Handbook of Greek and Latin Paleography (1893) together with his volume English Illuminated Manuscripts, published in 1895 and out of print before 1906. But beginning with the publication by Edward Johnston (1872-1944) of his book Writing and Illuminating, and Lettering (1906), a steady stream of works about all aspects of the subject have been written. It can be argued that it probably because of the interest aroused by the pioneers in the practical side of the craft of calligraphy that this flood of calligraphic histories occurred, both in the United Kingdom and in the United States.

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About Edward Johnston
At the end of the 19th century, the aesthetics and philosophy of William Morris and the Arts and Crafts movement attracted many calligraphers, particularly Englishman Edward Johnston. Johnston was introduced to 10th-century manuscripts, at the Fitzwilliam Museum by Sir Sydney Cockerell (1867-1962) and based his own calligraphy on them. Johnston and his students went on to revive and popularise English broad-pen calligraphy.

Johnston is best remembered for his enduring association with the London Underground, i.e., subway. Signage for the London Underground used a roundel with the station name in the blue bar beginning in 1908, but this pre-Johnston design used a roundel that was a solid red disc. In 1913 Edward Johnston, with some collaboration from his former student, font designer Eric Gill, began work on a commission for new font design for use in the London Underground promotional literature and signage. The commission for the design work came from Frank Pick (1878-1941), publicity officer for London Underground. The new font that was developed had a distinctive sans-serif typeface and this new font was brought into use for London Underground promotional materials beginning in 1916. The Johnston font, as it came to be known, was originally called the Underground font and occasionally the Johnston's Railway font. The closest modern equivalent to the Johnston font is the London Underground font.

After completing the font design, Johnston then reworked the art design for the classic London Underground roundel and bar bullseye design to incorporate his new font and these design modifications were completed by 1917. By 1919 the new bullseye design began appearing in publicity materials and, beginning in the early 1920s, it began to show up on station exterior signs and platform nameboards. The Johnston typeface was modernized for London Transit by Eiichi Kono in 1979 and this redesign of the Johnston font was named New Johnston to reflect its incorporation of all of Johnston's original core font design elements.

Edward Johnston resources
Edward Johnston the designer
Edward Johnston and Frank Pick
The Edward Johnston Foundation
The Johnston font
The London Underground roundel
Eiichi Kono about the New Johnston typeface
Writing and Illuminating, and Lettering by Edward Johnston

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The following are among the most important early reference books on calligraphy. The British Museum published a guide to the collection of manuscripts they had in 1906 (Guide to the Manuscripts, Autographs, Charters, Seals, Illuminations and Bindings Exhibited in the Department of Manuscripts and in the Grenville Library). At about the same time, John William Bradley (1830-1916) was publishing illustrated books on illuminating, its history and development. In 1907 the British Museum published an important series of four books titled Reproductions of Illuminated Manuscripts. Each book in this series included fifty loose collotype plates, i.e., mechanically printed photographic plates. In 1920 William Albert Mason published A History of the Art of Writing, a work of considerable scholarship dealing with the subject of picture writing in the Americas together with the growth of letter-form in Egypt, Phoenicia, Babylon, Assyria, Crete, Greece and Rome. This book should be of great interest for a study the formation of alphabets.

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A list of the works by John William Bradley
A Manual of Illumination on Paper and Vellum (1860)
A Dictionary of Miniaturists, Illuminators, Calligraphers, and Copyists (1889)
The Life and Works of Giorgio Giulio Clovio, Miniaturist, with Notices of His Contemporaries, and of the Art of Book Decoration in the Sixteenth Century (1891)
Historical Introduction to the Collection of Illuminated Letters and Borders in the National Art Library Victoria and Albert Museum (1901)
Illuminated Manuscripts (1909)

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With the development of photography and process reproduction the range of examples showing epigraphy and paleography (aka palaeography) has increased to a degree not even imagined during the early days of the century. In 1932 B. L. Ullman, aka Berthold Louis Ullman (1882-1965), of the University of Chicago published Ancient Writing and Its Influence, which brought the history of the alphabet more up to date and included observations on the Sinai stones. The Sinai stones are carved inscriptions in the Proto-Sinaitic script, one of two known similar and undeciphered scripts ancestral to nearly all modern alphabets. These inscriptions were found in a temple of Hathor in Serabit el-Khadim, an ancient mining area in the Sinai peninsula. They were discovered in 1904-05 by Flinders Petrie (1853-1942) and have been dated at 1500 BCE.

Professor Elias Avery Lowe (1879-1969) of Oxford, in his Handwriting chapter contribution to the book The Legacy of the Middle Ages (1926), edited by C. G. Crump and E. F. Jacob, made a major contribution to the history of written script. It he writes about the development of hand written script before the time of Charlemagne. This is an excellent essay, which should be read by all serious students of calligraphy. James Wardrop (1905-1957) of the Victoria and Albert Museum has also written a comparably useful essay Palatino and His Circle in Signature, No. 14, 1952. Giambattista Palatino was a 16th century Italian master of calligraphy. Wardrop is also noted for his book The Script of Humanism: Some Aspects of Humanistic Script, 1460-1560 (1963).

French scholarship just before World War II was very active in this subject area and actively published recently discovered material with facsimile photographic illustrations. A notable title from this period intensely active French paleographic research is the book L'Écriture Latine de la Capitale Romaine à la Minuscule (1939) by Jean Mallon (d. 1982). It deals with early specimens of the written lower case letter from a period even earlier than Sir Edward Maunde Thompson's great work.

A more recent work recommended for consideration by students of calligraphy and paleography is A Book of Scripts (1949) by Alfred John Fairbank (1895-1982). Fairbank was a noted British calligrapher and a strong advocate the italic hand (aka handwriting form or style) in the 20th century. He is also noted for both his active collecting of photostatic copies of examples of italic handwriting by 16th century Cambridge scholars and for founding the Society for Italic Handwriting. Fairbank's book is a outline survey of handwriting from the fourth to the twentieth centuries. Other recent work of note are the beautiful photographic reproductions of the detailed work of twelfth-century artists taken from the Winchester Bible by Walter Fraser Oakeshott (1903–1987) for his books Sigena: Romanesque Painting in Spain and the Winchester Bible Artists (1972) and The Two Winchester Bibles (1981).

By 1930, interest in hand writing and lettering had increased to the point where it had become a subject in the training of Art Teachers. This training of this generation was provided by the immediate followers of the initial group who had dedicated their lives to its cause. Lettering of Today by Walter Ben Hunt and Edwin Cornelius Hunt, published in 1937, is a good comprehensive compilation of the work of this second generation of calligraphers and calligraphy advocates. Important relatively modern books on the development of alphabets worldwide have also been published David Diringer (1900-1975), an important scholar on the subject.

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A list of the works by David Diringer
The Alphabet: A Key to the History of Mankind (1948)
The Hand-Produced Book (1953)
The Story of the Aleph Beth (1958)
Writing: Its Origins and Early History (1962)
The Illuminated Book: Its History and Production (1967)
History of the Alphabet (1977)
The Book before Printing: Ancient, Medieval and Oriental (1982; previously published as The Hand-Produced Book)

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As the art itself has progressed, so has the literature representing calligraphy. The aforementioned books are great historical references, but technical books that will walk you through the art of calligraphy are particularly easy to access.

Source: The Best Calligraphy Books by Jim Cox from Content for Reprint.

History Resources
Western Caligraphy
The Winchester Bible

Textual Resources
Ancient Writing and Its Influence by Berthold Louis Ullman (through page 101)
Correspondence of the family of Hatton, volume 1 edited by Sir Edward Maunde Thompson
Correspondence of the family of Hatton, volume 2 edited by Sir Edward Maunde Thompson
Guide to the Manuscripts, Autographs, Charters, Seals, Illuminatins and Bindings Exhibited in the Department of Manuscripts and in the Grenville Library (1906)
Handbook of Greek and Latin Palaeography by Sir Edward Maunde Thompson
Handwriting chapter by Elias Avery Lowe beginning page on 197 of The Legacy of the Middle Ages edited by C. G. Crump and E. F. Jacob
A History of the Art of Writing by William Albert Mason
Researches in Sinai by Sir William Matthew Flinders Petrie
Shakespeare's Handwriting: A Study by Sir Edward Maunde Thompson

Biographical Resources
Edward Clodd at Wikipedia
Edward Clodd at Answers.com
Giorgio Giulio Clovio
Sir Sydney Cockerell
David Diringer
Eric Gill
Elias Avery Lowe
Sir William Matthew Flinders Petrie
Sir Walter Fraser Oakeshott
Sir Edward Maude Thompson
Berthold Louis Ullman
James Wardrop

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Georges 'Hergé' Remi

Georges 'Hergé' Remi Creator of Tintin, The Final Years
by Holly Franklin with additional material by Steven Williams

The Hergé Studio was set up in April 1950 in order to lighten Hergé's workload after his second breakdown. He employed assistants such as the artist Bob de Moor to help produce The Adventures of Tintin. This was to be the case for the rest of the Tintin albums where assistants would fill in the details and backgrounds such as the lunar landscapes in Explorers on the Moon.

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Bob de Moor (aka Robert Frans Marie De Moor, 1925-1992), studied at the Academy of Fine Arts in Antwerp, Belgium and made his comics debut with Bart, de Scheepsjongen (Bart, the Ship's Boy) published in De Kleine Zondagsvriend (The Little Friend Sunday) in 1945. His first album (i.e., book bound) edition was Le Mystère du Vieux Château Fort (The Mystery of the Old Castle), scripted by John van Looveren and published by Campéador in 1947. In 1949, De Moor was asked to join the magazine Kuifje (1946-1993), a Flemish (aka Belgium aka Belgian Dutch aka Belgian Standard Dutch) language magazine. Kuifje was the Flemish name for Tintin. Tintin's creator, Georges 'Hergé' Remi, was a French language speaking Belgian and from the initial creation of Tintin in 1929 until about 1946, Tintin comics had been published in the French language only.

With the startup of Tintin magazine in 1946, there was a need to bring in additional talent both to provide more material for the magazine and to reach the additional Belgium audience of Flemish speakers. Because there are cultural as well as language differences between French speaking and Flemish speaking Belgium, it was decided to create a separate magazine, Kuifje. This necessitated hiring a Flemish speaking editor-in-chief to manage Kuifje. The man chosen for this position was Karel Van Milleghem. He was almost uniquely suited to this position because he came from a flammingant (someone who strives to bring together the French and Dutch-speaking people in Belgium) background in addition to being young, intelligent, and immensely creative. It was Van Milleghem who brought De Moor, along with a group of other gifted young Flemish comic artists and writers, to Kuifje in 1949. It was also Van Milleghem who introduced De Moor to Remi in the same year. Almost from the beginning De Moor became a regular contributor to Kuifje magazine.

The year De Moor began his work at Kuifje he produced two of his artistically and culturally most important comics. The first was De Leeuw van Vlaanderen (The Lion of Flanders), not published in French until 1976 (Le Lion des Flandres). It was based on the life of Robert III (aka Robert of Bethune), Count of Flanders (1249-1322), a cultural symbol of Flemish nationalism. That same year De Moor also produced the equally notable comic De Kerels van Vlaanderen (The Guys of Flanders), not published in French until 1978 (Le Gars des Flandres). This was also based on an important event in Flemish national history, the Battle of the Golden Spurs in 1302 in which the French attempt to subdue Flanders was defeated.

Not long after his start in Kuifje, De Moor also started appearing in Tintin magazine (i.e., the French language version) where he initially launched the humor strips Bouboule et Noiraud (Fluffy Noiraud) and Professeur Troc (later renamed to Monsieur Tric). Encouraged by Remi, he also started his series Barelli featuring a young dramatic actor, comedian, and amateur detective. He also went on to illustrate Conrad le Hardi (Conrad the Bold) and create another series, Cori, le Moussaillon (Cori, the Ship's Boy).

In 1950, De Moor made a professional move to the Hergé Studio. In his new position at Hergé, De Moor exploited his uncommonly gifted ability to adapt his style to match the style of other comic artists. This allowed him to seamlessly integrate his work with Remi's style. This lead to his quickly advancing to became one of Remi's most important assistants (read collaborators). Previous to De Moor and the creation of Hergé Studio, Remi had collaborated most closely with Edgar P. Jacobs (aka Edgard Félix Pierre Jacobs, 1904-1987) on the Tintin comics and Jacobs had functioned as a sort of 'first' assistant to Remi in their production. The two men's relationship became a little strained when Jacobs began to ask Remi for joint artistic credit for the Tintin series. Eventually, beginning in 1947, Jacobs began to work more independently from Remi, eventually producing his own Les Aventures de Blake et Mortimer (The Adventures of Blake and Mortimer) series for publication in Tintin magazine.

De Moor's particular ability to adapt his style to match that of Remi initially earned him the responsibility at Hergé Studio for filling in details and background on the Tintin comics. De Moor quickly found himself fitting into the sort of 'first' assistant position left vacant by Jacobs. With Remi's increasing confidence in De Moor, his assisting responsibilities broadened to include supervision of the secondary drawings of Tintin and his friends, re-styling of the first Tintin comics, and promotional art among other work there. De Moor remainded in his essential role at Hergé Studio until the death of Georges Remi and the closing of the studio in 1983. In addition to his direct work with Hergé Studio and the Tintin magazines, De Moor also participated in the making of the 1969 animated film Tintin et le Temple du Soleil based on the Tintin adventureLe Temple du Soleil (Prisoners of the Sun).

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Many believe the new set up allowed Hergé to craft some of his finest creations with The Calculus Affair produced in 1954 considered by many Hergé's most refined work. The drama in Hergé life was to continue however with his 25 year marriage to Germaine at breaking point after Hergé had fallen for a young artist who had recently joined his studio Fanny Vlaminck. Hergé was suffering strong recurring nightmares. He was advised by a psychoanalyst to give up working on Tintin. Hergé decided to the opposite and launched himself into Tintin in Tibet. This album was later to be described by Hergé as his favorite and can be interpreted as a voyage of self discovery not only for Tintin but Hergé too. Tintin in Tibet is certainly a powerful album in its creation.

Tintin in Tibet was published in the Tintin magazine from September 1958 to November 1959. The quest was a personal voyage for Tintin that reflected the very same journey that Hergé himself was experiencing. Tintin is in search of Chang Chong-Chen, the Chinese boy he befriended in the Blue Lotus. The adventure allowed Hergé to confront his nightmares by filling the book with severe alpine scenery, giving the adventure a commanding open setting. There are only three main characters in the book which was a marked difference to previous albums with Tintin, Captain Haddock and the Sherpa Tharkey involved in the search for Chang. The completion of the story was also a time when Hergé's emotional demons eased and the nightmares left him.

Hergé was to write three more Tintin albums The Castafiore Emerald in 1961, Flight 714 in 1966 and Tintin and the Picaros in 1975. In this period as technology developed Hergé allowed experimentation into other media for his beloved Walloon reporter. Tintin was to be used in advertising and merchandise. There was a stop motion animation film made that was not a success but the film Tintin and the Golden Fleece Fleece starring Jean-Pierre Talbot as Tintin did better. The biggest successes were the animated films beginning in 1961 with The Calculus Case. Hergé was to divorce Germaine in 1975 and finally marry Fanny Vlamnick in 1977.

Hergé in later years was to finally be able to visit some of the places that had inspired his Tintin adventures. The Financial success of the albums had allowed him to travel to America where he visited Native Indians whose culture had long held a fascination for him. He also found time to visit Taiwan where he was held in high esteem after The Blue Lotus and whose Kuomintang government welcomed him with open arms.

A happy tale towards the end of Hergé life was that he was able to again meet Chang Chong-jen the man who had taught him about Chinese art and inspired Hergé to change his style. Chang had been reduced to a sweeper during the Chinese Revolution but was re-instated as head of the Fine Art Academy in Shanghai in the 1970s. Chang returned to a reunion with Hergé in Europe in 1981 where Chang would settle in Paris until his death in 1988.

Hergé too was to die on March 3rd 1983 when he finally succumbed to complications arising from anemia caused by bone cancer that he had suffered for several years. Hergé was in the process of producing Tintin and the Alpha-Art. This adventure was never to be finished due to express wishes by Hergé that no Tintin album be published by any other artist. Tintin and the Alpha-Art was published as a series of sketches and notes in 1986. Fanny closed Hergé Studio in 1987 and The Hergé Foundation was set up in 1988 and the Tintin magazine discontinued.

Hergé is going to be very popular search topic as the Tintin movie draws near. Holly Franklin has been a big Tintin fan for a number of years. She is very much looking forward to the new Tintin movie trilogy due for release in 2009.

Article Source: Content for Reprint

Resources
Bob de Moor
Bob de Moor in the French edition of Tintin magazine
Bob de Moor covers for Tintin and Kuifje magazines
Edgar P. Jacobs at Wikipedia
The Adventures of Blake and Mortimer at Wikipedia
Les Aventures de Blake et Mortimer
The Secret of the Swordfish at Wikipedia
Raymond Leblanc interview
Franco-Belgian comics
The Ligne Claire comic style

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Horse Racing

Horse Racing in Literature
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Horse racing, the second most-popular spectator sport in America, remains as vital as ever, but its age, high drama, and historical appeal as the "sport of kings" ensure that it also has a place in the history of literature. Countless writers have been drawn, in their search for subject matter, to the romance of the racetrack - the triumph and tragedy of equestrian life. It'd take the endurance of a draft-horse to compile a complete list of such novels - ex-thoroughbred-horse-racer-turned-mystery writer Dick Francis alone has written a small library of them - but here are some of the more important.

National Velvet (1935)
A classic of childrens' literature, this 1935 novel by Enid Bagnold tells the story of Velvet Brown, a working-class English teenager who unexpectedly realizes her dream of keeping and racing thoroughbred horses when a mysterious old man leaves her a racing horse in his will. A memorable film adaptation with Elizabeth Taylor, in 1944, helped ensure that young Velvet, along with her horse, became a symbol of female independence and strength long before GI Jane, Title IX or Sally Ride.

The Reivers (1962)
William Faulkner 's last novel - and his second Pulitzer Prize winner (after 1954 's A Fable)- a comic picaresque about an ill-fated road trip. Published in 1962, the novel concerns three young "er-do-wells from Yoknpatawpha County" the setting of so many Faulkner classics - who run away from home in a stolen car. They end up in 1900s-era Memphis, where they experience big-city life for the first time - and where one of them, without permission, trades away their car for a racehorse. Can he and Coppermine 's fast horse who doggedly prefers the middle of the pack - win enough money to get the three boys back home? Generations of readers have enjoyed Faulkner 's unusually straightforward handling of this suspenseful coming-of-age story, finding it a light but fitting conclusion to one of the greatest careers in American literary history.

Bertie Wooster
The great comic novelist P.G. Wodehouse created many memorable characters, but none more so than Bertram Wilberforce Wooster, the preternaturally shallow minor aristocrat who features in over 50 of Wodehouse 's works. Like so many English gentry, Bertie (as his friends call him) has racing in the blood, having been middle-named in honor of a horse on whom his father once won a few pounds. The lovable, foppish Bertie falls into all sorts of mishaps, from which he is constantly extracted by his seemingly-omnipotent manservant Jeeves. Wooster can often be found at, near, or on the way to and from the racetrack, uttering phrases like "He once lost his shirt on Silly Billy" and "They had a dead cert for under 10 minutes."

The Iliad
Chariot-racing, one of the oldest forms of horse racing, appears in book XXIII of Homer 's Iliad, the great epic of the Trojan War. At this crucial point in the story, just after the death of Hector, Homer 's relentless narrative drive relaxes to allow Achilles, the poem 's hero, a moment in which to properly observe the death of his bosom friend Patroclus. The funeral games (a series of athletic contests which were part of the funerary rites of the period) take up most of the penultimate book of the Iliad, and encompass boxing, footracing, archery and the javelin, as well as a chariot race, won by Diomedes.

Horse Heaven (2000)
Hailed as "a big, ambitious book" by the New York Times, Jane Smiley 's sprawling ninth novel brings a number of plot lines together while maintaining a tight focus on the world of contemporary horse-racing. The best-selling author of A Thousand Acres (1991) told an interviewer that the idea for Horse Heaven occurred to her when "I was driving down the road listening to NPR, and I heard a commentator use the phrase "spit the bit" and I realized that there was a whole wonderful language to horse racing that was a novelist 's treasure."

Ben-Hur (1880)
Lew Wallace 's 1880 novel quickly displaced Uncle Tom 's Cabin as the greatest American best-seller of the 19th century, and its blend of suspenseful storytelling, painstaking historical research and religious piety not only made it the first work of fiction ever to win a Pope 's blessing, but paved the way for American evangelicals - embrace of novel-reading as a valid, morally acceptable pastime. Set in the first century AD, the novel interweaves the story of Judah Ben-Hur, a Jew living under Roman oppression, with that of another, more famous first-century Palestinian Jew - Jesus. A major plot point in the novel 's enormous narrative turns on an exciting chariot race that pits Ben-Hur against his Roman archrival, Massala. This scene became the centerpiece of the novel 's classic 1959 film adaptation - and that sequence, in turn, was cannibalized for the pod-race scene of the somewhat-less-classic Star Wars Episode I: The Phantom Menace (1999).

These literary representations are part of a tradition that continues today in thoroughbred horse racing. Whether you're a fan of horse racing gambling or just like the thrill of live horse racing, the sport is as full of drama and passion as any other. Tip services can help you maximize your enjoyment of thoroughbred horse racing by clarifying the details and letting you know who the favorites are.

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Melissa Marr

Melissa Marr, literary Goth writer of young adult fiction
by Steven Williams

Melissa Marr is an up and coming author currently writing fantasy horror fiction for young adults. After college and graduate school she taught both Literature and Gender Studies at the undergraduate level. Her earlier diverse work experience includes stints running a biker bar as well as working at an archaeological dig. She is also a rape survivor. Initially she began writing short fiction and poetry for various literary 'Zines in 2004 as an exploration of the possibilities open to her as a writer. In the end, she decided to concentrate on fiction. Wicked Lovely actually developed out of a short story she wrote in 2004. She reviewed the story about one year after its initial writing and still felt inspired by it and so she then went on to develop the story into a novel. The quality of her writing eventually earned her a contract with HarperCollins for three young adult fiction novels. With the success of Wicked Lovely and the good reviews for Ink Exchange, she entered into another contract with HarperCollins for three additional young adult novels.

Currently she envisions a cycle of sequels and related stories about related characters from her Faery universe to possibly expand to as many as ten books. As of Spring, 2008 her third novel, tentatively titled Enthralled (released as Fragile Eternity April, 2009), had been completed and was in the initial stages of the formal editing process. Marr attributes much of the inspiration for her novels to her reading young adult fiction with her daughter. She found that many of the fantasy books contained main characters that, whenever they were girls instead of boys, they were not active enough for her and her daughter's tastes. That and her attraction to the idea that interesting people she has met have usually 'danced to a different drum' giving her a push towards 'alt' (i.e., dark fantasy) stories. She currently lives in California with her spouse and two children.

On Meeting the Surgeon (2004)
This is a poem by Marr that first appeared in the December 2004 issue (issue six) of Lone Star Stories, an online journal or 'Zine of speculative fiction and poetry. The poem was inspired by one of Marr’s friend’s encounter with breast cancer. She was able to overcome the disease and Marr reinterprets the resulting scars on her back as beautiful angel wings. These provide the basis for Marr to relate her friend's courage and strength.

Blessed Woman (2004)
Book of Shadows is an anthology of dark short fiction published in Australia in 2006 by Brimstone Press and drawn from the first six issues of Shadowed Realms online magazine plus a selection of original works produced specifically for the anthology. The collection's editor was Angela Challis and the word count for contributions was limited to 1,000, giving this type of short fiction the criteria for its publisher's designation as flash fiction. Marr's contribution was her short story Blessed Woman which was originally published in issue number two of Shadowed Realms (November-December 2004). The main character and narrator of this story is a woman who has unwillingly chosen being consumed from the inside in exchange for the pursuit of truth and knowledge.

The Moment of Impact (2005)
A poem published in issue number seventy-one of Dreams and Nightmares magazine (May, 2005).

Fighting the Tide (2005)
A poem originally published in 'Star*Line volume 28, number 6. It was also re-published in The 2006 Rhysling Anthology (May, 2006), an anthology of eighty-eight poems, edited by Drew Morse.

The Art of Becoming (2005)
A poem by Marr published in Lone Star Stories April 2005 (issue eight). She has described as her allusion to Oscar Wilde's The Picture of Dorian Gray. It this poem the narrator makes a foolish wish and so is cursed to live each night as herself but in the guise of a portrait of her in her youth and dancing at the same masque ball.

Pixie on a Pin (2005)
Pixie on a Pin is another of Marr's early published short fictions. It originally was published in Flytrap issue four (May, 2005), a 'Zine featuring fiction, poetry, automatic writing, reviews, essays, and related oddities that is published twice a year by Tropism Press.

The Nostalgist (December, 2006)
A short story originally published in Aoife's Kiss issue nineteen (volume 5, number 4). Aoife's Kiss is a magazine of fantasy, science fiction, horror, sword and sorcery, and slipstream, published quarterly by Sam's Dot Publishing in March, June, September, and December. ‘Aoife's Kiss’ publishes short stories, poems, illustrations, articles, as well as movie, book, and chapbook reviews. Slipstream fiction is name commonly used to label a recently emerged genre of fiction that is best described as fantastic or non-realistic fiction that utilizes a blend of features from science fiction and/or fantasy genre fiction with aspects of mainstream literary fiction. Aífe or Aoife is a character from the Ulster (also called Red Branch) Cycle, one of the four great cycles of Irish mythology.

Wicked Lovely (2007)
The story is set in a small suburban rust belt town and the main character is a young teenage girl with the unusual power to see faeries, and Marr's faeries are powerful and dangerous. The human girl has to carry on her normal life despite her friends' inability to see what is obvious to her while at the same time keeping her ability hidden from the faeries also. There is the danger that if the faeries realize that she has the Sight and can see them, they will blind her. Things become more complicated when she finds herself being pursued by one faery in particular. This faery is the Summer King and he is convinced that this human girl is the queen he has been seeking for the past nine hundred years. To complicate matters and increase the danger to the mortal girl, the Winter Queen, the Summer King's mother, knows that she will lose her power if her son actually finds his mate. Because of this she will do anything to prevent the match.

Ink Exchange (April, 2008)
In Marr's second novel, she develops on the background and motivations of one of her Faery characters from 'Wicked Lovely'. In it, the main human character is a girl whose life has seemingly fallen into chaos. Her mother has left town, her father has sunk into isolation and despair, and her brother deals drugs and actually sells her as a sexual favor to cover his drug debts. After suffering through a terrible trauma because of this, and as part of the process of her regaining her self-confidence about her control of her body, she decides to get a tattoo. When she visits a local tattoo artist, he shows her a secret book of his personal designs. She becomes obsessed with one of the designs, a pair of eyes framed by black wings. The new tattoo seems to be a good choice because, after she has it put on her back, she feels that nothing bad can touch her. What she does not know is that this new tattoo is the symbol of the Faery Irial, the king of the Faery ‘Dark Court’ and it actually binds her to him. It turns out that the tattoo artist actually has ties to the Faery 'Dark Court'. Irial's court is rife by intrigue and the girl’s connection to Irial makes her intimately involved in his fight for survival.

Love Is Hell (November, 2008)
As a contributor
A young adult dark fantasy short story anthology by the noted authors of young adult supernatural romantic thrillers Melissa Marr, Justine Larbalestier, Laurie Faria Stolarz, Scott Westerfeld, and Gabrielle Zevin. Marr's short story Love Struck reinterprets the folklore about Selkies, seal shape shifters. A male Selkie has been courting a human teenager, using his unusual powers of allure over humans to force her to date him. While walking along the beach soon after this involuntary courting has begun, the girl accidently steps on the pelt of this Selkie. Because of this, the Selkie comes under her power and falls in love with her instead. At first she is indifferent to the handsome Selkie but she eventually comes to love him also. Selkies, when trapped in their human form, never give up their longing for the sea. The climax to this story comes when the girl faces the dilemma of whether or not to free the Selkie she has grown to love.

Selkies (also known as Silkes and Selchies) are mythological creatures appearing in Faroese (of the Faroe Islands halfway between Scotland and Iceland), Icelandic, Irish, and Scottish folktales. They can transform themselves from seals to humans. These folktales are believed to have originated in the Orkney Islands, an archipelago just of the northeast coast of Scotland. The best known contemporary version of the Silkie legend is its portrayal in the film The Secret of Roan Inish, a winner of a International Critics Award at the Gérardmer Film Festivals which is a French film festival celebrating that focuses on the fantastic film genre. Typically, if a human finds the skin of Selkie when the Selkie is out of in their human form, the Selkie is bound to the human unless they can get their seal skin back. Male Selkies are considered to be particularly handsome in their human form.

Justine Larbalestier's Thinner Than Water is a story that reinterprets the folklore about Faeries. A modern teen is taken to live with her family to her family in a 'living history' village where her options are limited to either marriage or work in her family business. She wants more than this though but ends up falling for a handsome and possibly magical young man. Their lives together are good at first, but the young man, suspected of being a Faerie by the village is taken away. When a new husband is provided to her, the two acknowledge that they have no interest in each other but go ahead and conspire to leave the village together so that they can live their lives as they want. But a complication for the girl ensues when her love is threatened with torture by the villagers because he is a Faerie. Larbalestier is probably best known to teen readers for her Magic or Madness trilogy. The first novel in the series, Magic or Madness, won the Andre Norton Award and shortlisted for the Ethel Turner Award (a major New South Wales literary award), the Aurealis Award for best Australian YA book, and the Ditmar Award for best Science Fiction or Fantasy novel.

Laurie Faria Stolarz short story contribution is Sleeping with the Spirit. After a girl's family moves into a house where a boy was murdered, she finds her dreams invaded by the ghost of the murdered boy. Unexpectedly she finds herself falling in love with him. It also turns out that the spirit of the boy needs her help so he can 'cross over'. She discovers though that she will lose him forever if she helps with this. Stolarz has received recognition for the quality of her fiction by the American Library Association, beginning with her first series for teens, Blue is for Nightmares (2003).

Scott Westerfeld's Stupid Perfect World is set in a future where teen bodies are regulated by the state. 'Hormonal balancers' tamp down teen emotions and 'bioframes' make sleep unnecessary and dreaming unheard of, all in an effort to keep passion and intensity from unbalancing this perfect world. It is believed that through this, society has been able to end starvation and disease. As aid to this engineered solution, all teens must take a class called Scarcity which is intended to teach them how bad the old world really was. In a two-week project for the class, a boy and a girl each decide to experience for themselves what things used to be like. The boy, after a reading of Hamlet, decides to try out sleep and see what it is like. The other stops taking her 'hormonal balancers' in order to experience real teen angst. Unexpectedly, the experiences of these two 'afflictions' have unintended consequences. Scott Westerfeld is best known to teen readers for his Midnighters trilogy and has also written a number of popular adult novels.

Gabrielle Zevin's short story Fan Fictions about a high school who becomes so obsessed with the love story in a book she is reading that she begins to believe that it may (or may not) be about her. She is unhappy in school with no best friends and not dating. While she is at the library reading her book, she meets a handsome boy with unusual eyes. A romance develops but he is never seen but in the library or at her house. Her schoolmates and the adults around her are convinced she has an imaginary boyfriend. After overhearing a book group discussion about the novel she is reading, she realizes that somehow the main character from the book is very real. Zevin is a noted author of fiction for adults and teens and is best known to teens from her novels Elsewhere (2005) and Memoirs of a Teenage Amnesiac (2007).

Fragile Eternity (April, 2009)
The third book in Marr's planned trilogy featuring the world of Fairie and humans as depicted first in Wicked Lovely and then followed by Ink Exchange. The story of Fragile Eternity is set in Huntsdale, a small city south of Pittsburgh where faeries and mortals intermingle with resulting chaos and conflict in the lives of both. Aislinn, who became the Faerie Summer Queen in Wicked Lovely, still has feelings for her former boyfriend, the mortal Seth. In addition to being a physical threat to Seth, she is also torn by her ties as Summer Queen to the Summer King Keenan. And Aislinn's attraction to Keenan seems to be no less strong than it is for Seth. Seth sets out in pursuit of a dangerous remedy to the lovers' predicament while at the same time, the never-ending plotting and scheming of Faerie court life increases the risks to all three.

Wicked Lovely, Desert Tales, Volume 1: Sanctuary (April, 2009)
This is the first in a trilogy of magna books (Japanese style graphic novels) connected to the world of Marr's Wicked Lovely. The Desert Tales series looks at previous Winter Girls who have become free of the curse in the past. In this first installment, the main character is Rika, a former Winter Girl and what her life is like and the resulting complications that emerge because of her experiences. Rika has sought isolation in the desert, far away from the scheming of the Faerie Courts. She uses her ability to appear invisible to humans to protect her privacy and isolation, but then she meets an artistic young man. She decides that the last thing she wants to do is hide form him. Unfortunately, changes are coming to this desert sanctuary that threaten Rika's freedom.

Unbound (August, 2009)
As a contributor
A dark fantasy novella and short story anthology by the noted authors of supernatural romantic thrillers Melissa Marr, Jocelynn Drake, Jeaniene Frost, Kim Harrison, and Vicki Pettersson. Marr's story, Two Lines, is her first short story aimed at a broader adult audience It is a supernatural thriller about a young woman, Eavan, struggling to escape the supernatural fate that has enslaved her family. She knows that nice girls don't hunt but then a deadly alpha male sets out to ensnare her in the ultimate seduction. It all starts when a local drug dealer begins producing Haitian zombie powder and then using it to enslave women in order to sell them.

Jocelynn Drake's novella, The Dead, the Damned, and the Forgotten, is set in Savannah, where a strange murder turns out to be an important skirmish in the Dark Days battle between Naturi, a forgotten race of protectors of the Earth, and the Nightwalker, known to humans as Nosferatu, over the fate of the world. The death of a Nightwalker brings the balance between human and nightwalker into question when suspicion falls on Mira the Fire Starter, a suspect Nightwalker because of her ability to manipulate fire, usually a trait of the Naturi. She also just happens to be the last hope for the Nightwalkers. The Dead, the Damned, and the Forgotten is a prequel story to Drake's first novel Nightwalker (July, 2008) during the period when she is leading her more 'normal' life before Danaus shows up and their struggle with the Naturi begins.

Jeaniene Frost sets her short story, Reckoning in New Orleans, where her recurring character, the immortal hit man known as Bones must face down the LaLauries, a husband-and-wife team of sadistic serial killers who also happen to be ghouls, and destroy them. At the same time that he is pursuing the killers, Bones is unaware that there is another undead hit man who is hunting him. This is a prequel story in the life of Bones, a vampire bounty hunter, and is set six months before he meets and becomes the lover of Cat Crawford, a half-vampire who, with Bones' help and training, progresses to becoming a government agent tasked with ridding the world of the rogue undead.

Ley Line Drifter, Kim Harrison's novella contribution to Unbound, is a Jenks (a pixy) and Bis (a gargoyle) adventure. The story is told form Jenk's point of view and is about their investigation of a haunting and their discovery that there is something at work there that is much greater than they ever expected. They end up trying to rescue an endangered innocent from a psychotic nymph with delusions of godhood. Harrison's characters Jenks and Bis are inhabitants of a universe in which an underground population of witches, vampires, werewolves, and other creatures of dreams and nightmares have been living hidden among humans for centuries. Everything changes when a genetically engineered virus wipes most of humanity. Harrison received a Romantic Times Award for Best Fantasy Novel for Dead Witch Walking (2004) as well as a PEARL Award (Paranormal Excellence Award for Romantic Literature) for Best Science Fiction Novel for The Good, the Bad, and the Undead (2005).

Vicki Pettersson returns to Las Vegas in her short story Dark Matters. Secretly knows as Sin City, Las Vegas is actually the battleground on Earth in the war between the Agents of Light and Shadow, good and evil. Dark Matters is the about one man's fight for his soul. It is a prequel in the author's Sign of the Zodiac series. The story features JJ, a secondary character in the series, and provides much back story material related to Pettersson's fourth Sign of the Zodiac novel City of Souls. Dark Matters takes place three years before the setting of the Pettersson's first novel The Scent of Shadows.

Melissa Marr resources
Melissa Marr
Melissa Marr
Q & A with Melissa Marr
Selkie
Wicked Lovely

Miscelaneous resources
Jocelynn Drake
Jeaniene Frost
Kim Harrison
Justine Larbalestier
Vicki Petterson
Vicki Pettersson
Laurie Faria Stolarz
Scott Westerfeld
Gabirelle Zevin
Gabrielle Zevin

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Melissa Marr, literary Goth writer of young adult fiction by Steven Williams is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.
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